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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders both past and present.

Aboriginal and Torres Strait Islander viewers are warned that this website contains images of deceased persons.

Captain James Cook

Rethinking foundational histories

Magazine article by Kate Fullagar, 2019

A focus on Indigenous-European relationships underpins Facing New Worlds. By Kate Fullagar.

Christmas Island

About Face article

This is my last Trumbology before, in a little more than a week from now, I pass to my successor Karen Quinlan the precious baton of the Directorship of the National Portrait Gallery.

Portrait of Captain James Cook RN

Unbuttoning uniforms

Magazine article by Sharon Peoples, 2017

Sharon Peoples contemplates costumes and the construction of identity.

Portrait of Captain James Cook RN

Robert Oatley AO

1928–2016
About Face article

The National Portrait Gallery mourns the loss of one our most generous benefactors, Robert Oatley AO.

William Bligh

Welcome home, Captain Bligh

27 March 2015
Archived media releases 2015

The National Portrait Gallery will, next Tuesday, unveil an exciting new acquisition of irrefutable importance to all Australians. Portrait of William Bligh, in master’s uniform c. 1776, attributed to John Webber, is one of the earliest portraits of the contentious, historical figure, and extends the Gallery’s remarkable collection of early colonial portraits.

Barry Humphries

Uncommon Australians

The vision of Gordon and Marilyn Darling
General content

Sarah Engledow writes about Gordon and Marilyn Darling and their support for the National Portrait Gallery throughout its evolution.

Gordon and Marilyn Darling

Honour board

Support your Portrait Gallery

The National Portrait Gallery acknowledges and thanks all its supporters.

National Portrait Gallery

History

About us

How the National Portrait Gallery and its unique collection came to be

The National Portrait Gallery

In the galleries

Magazine article by Dr Christopher Chapman, 2009

Christopher Chapman highlights the inaugural hang of the new National Portrait Gallery building which opened in December 2008.

Portrait bust of Dr Christine Rivett

In the round

Magazine article by Andrew Sayers AM, 2009

Andrew Sayers outlines the highlights of the National Portrait Gallery's display of portrait sculpture.

Portrait of Captain James Cook RN

Thrown together

Magazine article by Dr Sarah Engledow, 2009

Shipmates for years, James Cook and Joseph Banks each kept a journal but neither man shed light on their relationship.

Portrait of Captain James Cook RN

Cook in context

Magazine article by Diana Warnes, 2007

Robert Oatley's continuing benefaction has helped the National Portrait Gallery acquire works that add another layer to the story of Captain Cook.

Captain James King, engraving after Webber
Captain James King, engraving after Webber
Captain James King, engraving after Webber

Captain James King, engraving after Webber, 1784

Francesco Bartolozzi after John Webber
Portrait, engraving on paper

Collection: National Portrait Gallery
Purchased with funds provided by Robert Oatley AO 2007

Captain James Cook, engraving after John Webber
Captain James Cook, engraving after John Webber
Captain James Cook, engraving after John Webber

Captain James Cook, engraving after John Webber, 1784

Francesco Bartolozzi after John Webber
Portrait, engraving on paper

Collection: National Portrait Gallery
Purchased with funds provided by Robert Oatley AO 2007

The Royal Society medal in commemoration of Captain James Cook
The Royal Society medal in commemoration of Captain James Cook
The Royal Society medal in commemoration of Captain James Cook

The Royal Society medal in commemoration of Captain James Cook, 1784

Lewis Pingo
Portrait, silver medal

Collection: National Portrait Gallery
Purchased with funds provided by Robert Oatley AO 2007

Omai, A Native of Ulaietea
Omai, A Native of Ulaietea
Omai, A Native of Ulaietea

Omai, A Native of Ulaietea, 1774

Francesco Bartolozzi after Nathaniel Dance
Portrait, engraving on paper

Purchased with funds provided by Robert Oatley AO 2007

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Canberra, ACT 2600, Australia

Phone +61 2 6102 7000
ABN: 54 74 277 1196

The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders past and present. We respectfully advise that this site includes works by, images of, names of, voices of and references to deceased people.

This website comprises and contains copyrighted materials and works. Copyright in all materials and/or works comprising or contained within this website remains with the National Portrait Gallery and other copyright owners as specified.

The National Portrait Gallery respects the artistic and intellectual property rights of others. The use of images of works of art reproduced on this website and all other content may be restricted under the Australian Copyright Act 1968 (Cth). Requests for a reproduction of a work of art or other content can be made through a Reproduction request. For further information please contact NPG Copyright.

The National Portrait Gallery is an Australian Government Agency